public works
public works is a London based art and architecture practice whose members and partners have been collaborating in different constellations since 1998. Current members are Kathrin Böhm, Torange Khonsari, Andreas Lang and Polly Brannan.
public works is a London based art and architecture practice whose members and partners have been collaborating in different constellations since 1998. Current members are Kathrin Böhm, Torange Khonsari, Andreas Lang and Polly Brannan.
A new model for interdisciplinary local cultural production and trans-local and online dissemination.
The International Village Shop (IVS) has been shaped as a collective idea and initiative by four partners since 2004:
The IVS is a shared public platform to develop, produce and exchange cultural produce. It involves individuals and organisations from different cultural backgrounds and addresses a variety of audiences, from local non-art to international art audiences.
R-Urban - constructing new cultures of resilience
« The Earth is not a present from our parents. We only borrowed if from our children»
Indian proverb
Why ?
It is perhaps the first time in history that our society develops global awareness and calls for the necessity of collective action to face the challenge of the future: global warming, depletion of fossil fuels and other natural resources, economic recession, population growth, housing and employment crisis, consequential increase of social divide and geo-political conflicts, etc.
The Earth’s population currently consumes two and a half planets. This consumption is mainly located in the urban and suburban areas of the developed countries. There is an urgent need for efficient new models of ecological living and urban retrofitting. While governments and organisations seem to take too long to agree and act, many initiatives started at a local scale.
These initiatives are nevertheless confronted with the difficulty of changing the current economic and social model of society based on increased global consumption. How to construct a socially oriented economy, which does not depend on the global market? How to initiate progressive practices and sustain ecological lifestyles while acting locally? How to reactivate cultures of collaboration and sharing in a world that promotes individualism and competition?
The R-Urban strategy proposed by atelier d’architecture autogérée
explores alternatives to the current models of living, producing and
consuming in cities, suburbs and the countryside. It draws on the
active involvement of the citizen in creating solidarity networks,
closing local cycles between production and consumption, operating
changes in lifestyles, acting ecologically at the level of everyday
life.
What?
R-Urban proposes a retrofitting of the city through principles following the ecological Rs: Recycle, Reuse, Repair, Re-think, etc.
R-Urban also aims to explicitly reconnect the Urban with the Rural through new kinds of relations, more complementary and less hierarchical.
As other emerging strategies, it aims to increase the social, urban and cultural Resilience.
In
contrast to ecological resilience, social, urban and cultural
resilience could be adaptive and transformative, inducing change that
offers huge potential to rethink assumptions and build new systems. It
is this transformative quality that interests us within the R-Urban
approach, which is not only about sustainability but also about change
and re-invention.
In the case of European cities, the
resilience capacity should also allow for the preservation of specific
democratic and cultural values, local histories and traditions, while
adapting to more economic and ecological lifestyles. A city can only
become resilient with the active involvement of its inhabitants. To
stimulate this commitment, we need tools, knowledge and places to test
new practices and citizen initiatives, and to showcase the results and
benefits of a resilient transformation of the city.
Strategy
The R-Urban strategy is built upon coordinated actions at different local scales (domestic, neighbourhood, city, region) and complementarities between five fields of activity:
residential (co-operative ecological housing)
economy (social and local economy)
agriculture (organic urban agriculture)
culture (local cultural production and trans-local dissemination)
mobility (no fossil fuel dependent transport)
These fields cover the essential aspects that define the
contemporary urban condition. Flows, networks and cycles of production
- consumption are formed across these fields, closing chains of need
and supply as locally as possible, but also in as many and as
diversified ways as possible. To overcome the current crisis, we must
try, as French philosopher A. Gorz states ‘to produce what we consume and consume what we produce’.
R-Urban interprets this chain of production - consumption broadly, well
beyond the material aspect, including the cultural, cognitive and
affective dimensions.
Where?
The
R-Urban strategy could be applied in suburban contexts to deal with the
collapse of the modern urban ideals (monotonous urban fabric, obsolete
tower blocks, real estate bankruptcy, segregation, social and economic
exclusion, land pollution…) and their transformations. Between the
urban and the rural, the suburban condition could valorise the
potential of both.
R-URBAN strategy could also operate within
dense urban contexts, in which the rural is internalised and
disseminated through specific practices, economies and lifestyles (i.e.
urban agriculture, exchange systems, self-build, waste-recycling,
etc.).
Local Mapping
We have started by identifying micro-local practices and
interstitial spaces that could immediately be connected and activated
(i.e. local skills and ecological practices, active individuals and
organisations, underused spaces and urban leftovers, opportunities or
gaps in rules and regulations, etc.). Local residents are involved in
the setting up and management of the strategy, contributing to its
social, environmental and economic sustainability. The project fosters
local exchanges and (rural and urban) networks and tests methods of
self-management, self-build and self-production.
Prototypes
In order to begin, we have constructed and tested a number of prototypes for urban agriculture (in Paris and Colombes, a suburb in the North West of Paris) and related practices: recycling and cultivating roofs (ECOroof), vertical green walls (aaa office), windows (aaa office), compost toilets (Passage 56), recycling of urban matters and their integration into agricultural soil (Passage 56) etc.
We have also set up social, economic and cultural networks based on existing and emerging local initiatives (AMAP St. Blaise, Jardins d’Audra).
We have conceived and experimented with ecological devices and locally closed cycles: water, energy, waste (Passage 56, Jardins d’Audra).
We have identified and encouraged local skills necessary to support such initiatives, some of them marginalised or overseen and have invited specialists to contribute to learning and re-skilling processes (workshops Passage 56).
We have elaborated forms of knowledge production and skill exchange (Participative Urban Laboratory-LUP).
These prototypes allowed us to experiment with simple methods of
implementation of an ecological approach at the level of everyday life
and to generate self-managed collective use and environmental
practices.
Cultural resilience; cultures of resilience
In contrast to other initiatives that deal exclusively with issues of sustainability as technological, environmental or social, R-Urban states the importance of culture. The future is culturally formed as much as the past is, says Arjun Appadurai, and this is because culture deals with ‘the capacity to aspire’.
Within a resilient condition we need to reach an ‘ecosophic’ stage
of culture, which considers mental, environmental and social aspects
alike. In this respect, R-Urban operates with an extended notion of
culture that includes material and immaterial production, skills,
mentalities, habits, patterns of inhabitations, etc…
But how
exactly does this relate to the idea of local? Can a resilient culture
be localised? These were the questions that R-Urban brought to the
agenda of the Rhyzom network.
Localisation is a term usually discussed in relation to resilience. Rob Hopkins, the founder of Transition Town network, defines it like this: ‘The concept of localisation suggests that the move away from globalised distribution systems is not a choice but an inevitable change in direction for humanity. The rebuilding of local economies offers a response to the challenges presented by peak oil, as well as a tremendous opportunity to rethink and reinvent local economies’. However, within the contemporary condition, culture can’t be assigned anymore to a geographic location. If we can localise economy we will never be able to fully localise culture. Cultural resilience negotiates between the necessity of rebuilding local economies and keeping us globally connected.
But how can we still be connected in a resilient way? How to
associate and empower resilient practices, skills, mentalities, habits,
economies at a bigger scale? Maybe ‘from local to local’, through
relational institutions which federate heterogeneous components, both
cultural and environmental, amateur and professional, civic and
educational… In such way, resilient practices could go beyond the
sphere of the local and become trans-local, could operate a re-weaving
of scales and issues through the construction of a trans-local mode of functioning.
Living practices, deep locals, cultural and social biodiversity
As many other projects within the Rhyzom network, R-Urban addressed also the idea of a deep local, a multilayered local made out of multiple and heterogenous micro-locals. Such micro-locals are also expressed at the level of everyday life practices, proximity dynamics, domestic habits, neighbourhood relations. They represent specific cultures of living.
In addition to existing local cultures of living, R-Urban proposes new collective forms of these cultures through reinventing and revitalising proximity relations based on solidarities (i.e. ways of being involved and deciding collectively, sharing spaces and group facilities, rules and principles of co-habitation etc.). Urban life styles in neo-liberal societies have abandoned progressively the different forms of solidarity that were perceived as inadequate and outdated. Though, it is exactly these relations of reciprocity which constitute the fundament of social progress. In his analysis of the connections between the economic and the political (inspired by Tarde’s sociology), Lazzarato describes the civilisation of ‘progress’ as ‘a constantly renewed effort to replace the reciprocal possession by the unilateral possession’. Or, it is exactly these relations of reciprocity and solidarity that are missing in the urban environment today.
In contrast, the dwelling and the living models proposed by R-Urban are based on solidarity relations and implicitly produce sociability and common values and affective relations. They can allow for further emergence of conditions for the production of locality through authentic cultural phenomena, which are fed by their territorial anchoring and their transversal co-operation
The ‘locality’ is formed as such through a multiplicity of micro-social and cultural phenomena which are embedded in their territories. Guattari underlined the role of micro-practices in what he called a heterogenesis process: ‘it is essential that micro-political and micro-social practices, new solidarities organise themselves (…) It is not only that these different levels of practicing haven’t been homogenised (…) , but that they operate in a heterogenesis process’. It is this kind of heterogenesis process that can produce and preserve local cultural and social biodiversity which is based on sustainable solidarity.
Transformations have to take place at micro-scale with each
individual, with each subjectivity and this is what constructs a
culture of resilience and at the same time a resilient culture. As
Hopkins puts it: ‘Resilience is not just an outer process: it is also an inner one, of becoming more flexible, robust and skilled’ .
The culture of resilience includes processes of reskilling,
skills-sharing, building social networks, learning from others,
learning from other experiences. These micro-social and micro-cultural
practices are most of the time related to lifestyles and individual
gestures, they prompt attention to details, to singularities, to the
capacity of creativity and innovation that operates at the level of
everyday life. R-Urban offers a platform for such practices to gain
visibility and feel empowered in their singularity while being
connected to others through relations of reciprocity. This is a form of
cultural resilience.
Pioneering R-Urban
Currently,
R-Urban strategy is tested for a first implementation in Colombes, a
city of 30 000 inhabitants in the North West suburbs of Paris. The
local council and a number of local organisations ( …) have formed the
first R-Urban Agency. Available plots have been identified and
connections have started to be established between some of them.
An urban agriculture pole has been initiated at the foot of a high-rise building on a plot negotiated for reversible use with the Poste company which owns the land. A social economy cluster and organic food market will be initiated in connection with the cultivation of plots. A Recycling Unit which will process construction materials and a co-operative housing built from these materials will start next year. Seminaries, debates and workshops disseminate knowledge and skills necessary to the process. A trans-local research centre will disseminate cultures of resilience in the region. The future is R-Urban!
Join us at 'DémocraCité' a one day symposium at��l'ENSA Paris-Malaquais�on Friday December 9th.
Participants include: Markus Bader�Raumlabor,
Nicolas Bonnenfant et Pablo Georgieff�CoLoCo, Francesco
Careri�Stalker, Santiago Cirugeda�Recetas
Urbanas, Anne Debarre, Maarten Gielen�Rotor, Andreas
Lang�Publicworks, Caroline Maniaque, Yann Moulier
Boutang�Multitudes,, Ramon ParramonIdensitat,
Constantin Petcou,�AAA, Meredith TenHoor.
Faire les territoires autrement:�
Participations et expérimentations collectives
Journée d'études du département Art
Architecture Politique (AAP)
Vendredi 9 décembre 2011 de 9h00 à 18h30
Amphi 2 des Loges
entrée libre
Monrning
9h00 Accueil des participants :Nasrine Seraji AA dipl. RIBA,
directrice de l'ENSA Paris-Malaquais�
9h30 Ouverture et présentation de la journée. Jac Fol AAP/ Enrico
Chapel et Thierry Mandoul�
9h45 Caroline Maniaque, maître-assistante ENSA Paris-Malaquais «
Architecture et actions,
1960s : retour d'expérience »�
10h15 Francesco Careri, Stalker, Rome. « Pidgin City. Une ville
métisse pour le projet indéterminé »�
11h00 Constantin Petcou, Atelier d'Architecture autogérée, Paris. «
Faire rhizome »�
11h30 Santiago Cirugeda, Recetas Urbanas, Séville. « Architecture
négative »�
12h00 Ramon Parramon, Idensitat, Barcelone. « Cities, communities
and artistic practices »�
12h30 Discussion
Afternoon
14h15 Meredith TenHoor, Princeton university, New-York. « Lieux
empruntés, espaces inventés »
14h45 Maarten Gielen, Rotor, Bruxelles. « Préoccupations... »
15h15 Yann Moulier Boutang, Multitudes, professeur des universités,
Paris « Wiki-architecture » 16h00 Markus Bader, Raumlabor, Berlin.
«Total freedom is no freedom at all?»
16h30 Andreas Lang, Publicworks, Londres. « Local cultural
production,and co-authorship »
17h00 Nicolas Bonnenfant, Pablo Georgieff, CoLoCo, Paris. « Actions
territoriales, la pioche VS Google Earth »
17h30 Anne Debarre, maître-assistante ENSA Paris-Malaquais «
Activations, acteurs, interactions »
18h00 Discussion, conclusion
Regarder autrement l'architecture et le territoire pour en saisir collectivement les potentialités, investir des objets et des espaces délaissés pour qu'ils deviennent des lieux appropriables par chacun, élaborer des projets relationnels, participatifs�: telles sont les stratégies que développent depuis plus d'une décennie des collectifs qui réunissent architectes, artistes, paysagistes, urbanistes... Pour ce faire, ils se glissent dans des interstices spatiaux, réglementaires, administratifs, économiques, ils inventent des tactiques multiples et annoncent des modalités alternatives de fabrication de l'espace architectural et urbain.
Stalker�propose des marches collectives dans la banlieue de Rome.L'Atelier d'architecture autogérée�organise un système d'éco-interstices dans l'Est parisien pour contrecarrer la crise de la ville capitaliste.Raumlabor�imagine des ateliers collectifs pour construire et tester du mobilier à Berlin, à Saint-Nazaire et dans d'autres villes.�Recetas Urbanasfait une animation vidéo avec des Playmobil pour décrire le procédé constructif d'un abri sur les toits de Séville.�CoLoCo�imagine dans les cours anglaises du 104, centre culturel à Paris, un jardin participatif planté de graines et boutures collectées dans le quartier.�Rotor�développe une base de données sur les matériaux mis au rebut par plus de 200 entreprises belges.
Autant d'actions qui font d'un projet sur l'espace, le lieu d'un acte politique et qui engagent une pratique esthétique profondément démocratique. Autant d'œuvres collectives qui rejettent toutes méthodes académiques et privilégient avant tout l'expérience du terrain, l'implication dans la fabrication et l'exécution en favorisant la relation à autrui. Autant de bricolages savants qui questionnent, et enfin critiquent, l'élaboration de la ville libérale et de la société de consommation�tout en envisageant des propositions éthiques relatives à l'habitation, l'écologie.
Comment interpréter ces productions à première vue insaisissables�?� Se réfèrent-elles à l'art, à l'architecture, à l'activisme social des années 1960? D'où vient leur passion pour l'interactivité et les réseaux? De quels imaginaires politiques et esthétiques sont-ils porteurs�?
La journée d'études du département Art/Architecture/Politique-ENSA�Paris-Malaquais veut interroger ces démarches nouvelles qui invitent les citoyens à la transformation de leurs cadres de vie.
Elle constitue le deuxième volet d'un projet démarré au printemps 2011 avec l'exposition «�Urbanités inattendues�» (ENSA Toulouse/AERA) et la journée d'études tenue à Toulouse à cette occasion.
Département AAP�: Clotilde Barto, Anne Debarre, Xavier Dousson, Catherine Clarisse, Xavier Fabre, Jac Fol, Bertrand Lamarche, Thierry Mandoul, Caroline Maniaque, Caroline de Saint Pierre, Emmanuel Pinard, Yann Rocher, Jean-François Roullin
ARCHITECTURE OF MULTIPLE AUTHORSHIP
Opening: Thursday 1st December 2011,
Talk at 6:30pm - in Main Forum
40-44 Spring House,
Holloway Road
London N7 8JL�
A collaborative project between London Metropolitan Univeristy
and public works presents a programme of events and workshops� on
how architecture can become part of a progressive process of social
change and exchange, rather than an end product. We will pose
questions about where the architecture lies within this context and
our shifting roles as architects in the development of spatial
production. Exhibition open: 1 - 9 December 2011
The exhibition illustrates the process of the development and
construction of three cultural in villages in the Indian state of
West Bengal, with each one reflection the particular local cultural
traditions and skills. The project was led by Indian NGO
Banglanatak.com, and aims to develop the unique folk art and
culture based creative industry in a way that benefits poor and
marginalised rural and tribal communities in West Bengal. The
programme of events to considers the position of architecture in
socially driven projects, and how buildings become part of the
process of cultural and educational production.
01 Dec 6:30pm, Lecture and exhibition opening - with a one evening
International Village Shop 06 Dec 1pm-2pm, "Moving In" workshop, a
workshop to frame different possibilities for the appropriation of
the buildings, to host existing needs and develop possible new
programmes and activities
All students welcome, see leaflet in shop for signing in 07 Dec
10am - 1pm, Seminar: Peter Carl, Maurice Mitchell, Bo Tang, Torange
Khonsari, Julie Scott, Jonathan Karkut 09 Dec 1pm-2pm, "Moving In"
workshop


We first came across performance]SPACE[ during the 'Printers Paradise' walk. The door was open and a small sign invited us in. A quick detour into a smoke filled room with people performing across the space seemingly ignoring the audience of 20 strangers that just walked in on them. As first encounters go, this one was curious enough to get in touch and find out more about what was going on. We met Bea, Benjamin and Anna who have been generous in offering their space for one of our Wick Sessions (unfortunately it was double booked) and have recently invited us to a very local dinner as part of their international residency project [neighbourHOOD] EVENT which will conclude on Saturday the 3rd of December.
[neighbourHOOD] EVENT
Saturday 3rd December 11am - 11pm
Following a 10 day intensive research residency the
[neighbourHOOD] artists will draw together an exhibition and
evening of performance art and film. Artists: Tine Voeks, Maria
Lucia, Benjamin Sebastian, Kimbal Quist Bumbstead, Liam Yeates and
isik met knutsdotter
Exhibition: 11am - 11pm
Developed and led by the artists, the exhibition is
anticipated to grow out of the research-lab, through install-action
and the exhibition of research material. Constructed throughout the
day, the exhibition will both lay bare artistic process and weave
together loose ends to form a live archival document of Hackney
Wick now. The exhibition will also include performance-for-camera
photographic prints from each artist, produced site-specifically in
collaboration with ]performance s p a c e [ photographer Marco
Berardi.
Performances: 7 - 9 pm (TBC)
New performances made in response to the
[neighbourHOOD] residency in Hackney Wick.
Film: 9pm - 'DEFAULT THE BRUTAL'
by Enrico Masi, produced by CAUCASO FACTORY (10'
UK, 2011, color/B-w, 16mm/Full HD)
'Discovering a new space in east London, after the negative stigma
of the 80's, Stratford will now present himself as a thrilling new
urban device for people to move, work, shop and travel. The
increasingly spectacular Olympic park, with Anish Kapoor's
monumental red panoramic tower growing in his middle and a special
toilet only for the queen. 'Default the Brutal' is like forecasting
on weather conditions.' CAUCASO FACTORY have worked in
collaboration with ]performance s p a c e [ and PAS throughout
[neighbourbourHOOD] to document the activity unfolding. The
collective's current area of research has focused on the
regeneration and development of Olympic boroughs and the current
socio-economic climate across Europe.
[neighbourHOOD] is a free event
Beer, gin and bagels will be served all
day!!


We first came across performance]SPACE[ during the 'Printers Paradise' walk. The door was open and a small sign invited us in. A quick detour into a smoke filled room with people performing across the space seemingly ignoring the audience of 20 strangers that just walked in on them. As first encounters go, this one was curious enough to get in touch and find out more about what was going on. We met Bea, Benjamin and Anna who have been generous in offering their space for one of our Wick Sessions (unfortunately it was double booked) and have recently invited us to a very local dinner as part of their international residency project [neighbourHOOD] EVENT which will conclude on Saturday the 3rd of December.
[neighbourHOOD] EVENT
Saturday 3rd December 11am - 11pm
Following a 10 day intensive research residency the
[neighbourHOOD] artists will draw together an exhibition and
evening of performance art and film. Artists: Tine Voeks, Maria
Lucia, Benjamin Sebastian, Kimbal Quist Bumbstead, Liam Yeates and
isik met knutsdotter
Exhibition: 11am - 11pm
Developed and led by the artists, the exhibition is
anticipated to grow out of the research-lab, through install-action
and the exhibition of research material. Constructed throughout the
day, the exhibition will both lay bare artistic process and weave
together loose ends to form a live archival document of Hackney
Wick now. The exhibition will also include performance-for-camera
photographic prints from each artist, produced site-specifically in
collaboration with ]performance s p a c e [ photographer Marco
Berardi.
Performances: 7 - 9 pm (TBC)
New performances made in response to the
[neighbourHOOD] residency in Hackney Wick.
Film: 9pm - 'DEFAULT THE BRUTAL'
by Enrico Masi, produced by CAUCASO FACTORY (10'
UK, 2011, color/B-w, 16mm/Full HD)
'Discovering a new space in east London, after the negative stigma
of the 80's, Stratford will now present himself as a thrilling new
urban device for people to move, work, shop and travel. The
increasingly spectacular Olympic park, with Anish Kapoor's
monumental red panoramic tower growing in his middle and a special
toilet only for the queen. 'Default the Brutal' is like forecasting
on weather conditions.' CAUCASO FACTORY have worked in
collaboration with ]performance s p a c e [ and PAS throughout
[neighbourbourHOOD] to document the activity unfolding. The
collective's current area of research has focused on the
regeneration and development of Olympic boroughs and the current
socio-economic climate across Europe.
[neighbourHOOD] is a free event
Beer, gin and bagels will be served all
day!!
We are inviting friends and colleagues to join us for drinks,
music and get-your-design-x-mas decoration laser cut
on Friday 2nd December from 19.00 at our studio on Vyner
Street.
Matilde Martinetti, who currently works with us, will be playing
her latest compilation "STEREO-TYPE. New frontiers of Italian
Music". See more info below. Bring a design for a very special
x-mas decoration and the most popular one will be laser cut that
night.
You can also send it by e mail in advance. Just keep it smaller
than A4. Spritz will be served. And there will be food - of
course.
* The compilation explores the concept of stereotype starting with a fundamental element of Italian culture: the melodic music of the Classical Period. The composers of those early songs influenced the shaping of a home made stereotype more than important historic eras such as the Italian unification 150 years ago,� post-war cohesion and terrorism during the 1970ies.
Another compilation,� the Compilation of Crisis, can be seen here.
website by dorian moore @ the useful arts organisation
