public works

public works is a London based art and architecture practice whose members and partners have been collaborating in different constellations since 1998. Current members are Kathrin Böhm, Torange Khonsari, Andreas Lang and Polly Brannan.

public works projects include participatory public realm design schemes, interdisciplinary debate and publications. All public works projects address the question how users of public space are engaging with their environment and how design and programmatic strategies can support and facilitate physical, economical and social infrastructures in the public realm, both in urban and rural settings.

website: www.publicworksgroup.net/

London, England

London, England
1-5 Vyner Street, Bethnal Green, London, Greater London, E2 9DG, United Kingdom
51.5342642 , -0.057134

International Village Shop

A new model for interdisciplinary local cultural production and trans-local and online dissemination.

The International Village Shop (IVS) has been shaped as a collective idea and initiative by four partners since 2004:

  • Artists and Architects collective public works (London, UK)
  • Arts Organisation Grizedale Arts, Lawson Park (Cumbria, UK)
  • Artists group Somewhere (Cumbria, UK and London, UK)
  • Artist initiative myvillages.org (Rotterdam, NL)

The IVS is a shared public platform to develop, produce and exchange cultural produce. It involves individuals and organisations from different cultural backgrounds and addresses a variety of audiences, from local non-art to international art audiences.



RURBAN

R-Urban - constructing new cultures of resilience

« The Earth is not a present from our parents. We only borrowed if from our children»

Indian proverb

 

Why ?

It is perhaps the first time in history that our society develops global awareness and calls for the necessity of collective action to face the challenge of the future: global warming, depletion of fossil fuels and other natural resources, economic recession, population growth, housing and employment crisis, consequential increase of social divide and geo-political conflicts, etc.

The Earth’s population currently consumes two and a half planets. This consumption is mainly located in the urban and suburban areas of the developed countries.  There is an urgent need for efficient new models of ecological living and urban retrofitting.  While governments and organisations seem to take too long to agree and act, many initiatives started at a local scale. 

These initiatives are nevertheless confronted with the difficulty of changing the current economic and social model of society based on increased global consumption. How to construct a socially oriented economy, which does not depend on the global market?  How to initiate progressive practices and sustain ecological lifestyles while acting locally? How to reactivate cultures of collaboration and sharing in a world that promotes individualism and competition?

The R-Urban strategy proposed by atelier d’architecture autogérée explores alternatives to the current models of living, producing and consuming in cities, suburbs and the countryside. It draws on the active involvement of the citizen in creating solidarity networks, closing local cycles between production and consumption, operating changes in lifestyles, acting ecologically at the level of everyday life.

What?

R-Urban proposes a retrofitting of the city through principles following the ecological Rs: Recycle, Reuse, Repair, Re-think, etc.  

R-Urban also aims to explicitly reconnect the Urban with the Rural through new kinds of relations, more complementary and less hierarchical.

As other emerging strategies, it aims to increase the social, urban and cultural Resilience. 
In contrast to ecological resilience,  social, urban and cultural resilience could be adaptive and transformative, inducing change that offers huge potential to rethink assumptions and build new systems.  It is this transformative quality that interests us within the R-Urban approach, which is not only about sustainability but also about change and re-invention. 

In the case of European cities, the resilience capacity should also allow for the preservation of specific democratic and cultural values, local histories and traditions, while adapting to more economic and ecological lifestyles. A city can only become resilient with the active involvement of its inhabitants. To stimulate this commitment, we need tools, knowledge and places to test new practices and citizen initiatives, and to showcase the results and benefits of a resilient transformation of the city.

Strategy

The R-Urban strategy is built upon coordinated actions at different local scales (domestic, neighbourhood, city, region) and complementarities between five fields of activity: 

residential (co-operative ecological housing)
economy (social and local economy)
agriculture (organic urban agriculture)
culture (local cultural production and trans-local dissemination)
mobility (no fossil fuel dependent transport)

These fields cover the essential aspects that define the contemporary urban condition. Flows, networks and cycles of production - consumption are formed across these fields, closing chains of need and supply as locally as possible, but also in as many and as diversified ways as possible. To overcome the current crisis, we must try, as French philosopher A. Gorz states ‘to produce what we consume and consume what we produce’.   R-Urban interprets this chain of production - consumption broadly, well beyond the material aspect, including the cultural, cognitive and affective dimensions.

Where?

The R-Urban strategy could be applied in suburban contexts to deal with the collapse of the modern urban ideals (monotonous urban fabric, obsolete tower blocks, real estate bankruptcy, segregation, social and economic exclusion, land pollution…) and their transformations. Between the urban and the rural, the suburban condition could valorise the potential of both.
R-URBAN strategy could also operate within dense urban contexts, in which the rural is internalised and disseminated through specific practices, economies and lifestyles (i.e. urban agriculture, exchange systems, self-build, waste-recycling, etc.).

Local Mapping

We have started by identifying micro-local practices and interstitial spaces that could immediately be connected and activated (i.e. local skills and ecological practices, active individuals and organisations, underused spaces and urban leftovers, opportunities or gaps in rules and regulations, etc.). Local residents are involved in the setting up and management of the strategy, contributing to its social, environmental and economic sustainability. The project fosters local exchanges and (rural and urban) networks and tests methods of self-management, self-build and self-production.

Prototypes

In order to begin, we have constructed and tested a number of prototypes for urban agriculture (in Paris and Colombes, a suburb in the North West of Paris) and related practices: recycling and cultivating roofs (ECOroof), vertical green walls (aaa office), windows (aaa office), compost toilets (Passage 56), recycling of urban matters and their integration into agricultural soil (Passage 56) etc.

We have also set up social, economic and cultural networks based on existing and emerging local initiatives (AMAP St. Blaise, Jardins d’Audra).

We have conceived and experimented with ecological devices and locally closed cycles: water, energy, waste (Passage 56, Jardins d’Audra). 

We have identified and encouraged local skills necessary to support such initiatives, some of them marginalised or overseen and have invited specialists to contribute to learning and re-skilling processes (workshops Passage 56).

We have elaborated forms of knowledge production and skill exchange (Participative Urban Laboratory-LUP).

These prototypes allowed us to experiment with simple methods of implementation of an ecological approach at the level of everyday life and to generate self-managed collective use and environmental practices. 
 
Cultural resilience; cultures of resilience

In contrast to other initiatives that deal exclusively with issues of sustainability as technological, environmental or social,  R-Urban states the importance of culture. The future is culturally formed as much as the past is, says Arjun Appadurai, and this is because culture deals with ‘the capacity to aspire’.

Within a resilient condition we need to reach an ‘ecosophic’ stage of culture, which considers mental, environmental and social aspects alike. In this respect, R-Urban operates with an extended notion of culture that includes material and immaterial production, skills, mentalities, habits, patterns of inhabitations, etc…  
But how exactly does this relate to the idea of local? Can a resilient culture be localised? These were the questions that R-Urban brought to the agenda of the Rhyzom network. 

Localisation is a term usually discussed in relation to resilience. Rob Hopkins, the founder of Transition Town network, defines it like this: ‘The concept of localisation suggests that the move away from globalised distribution systems is not a choice but an inevitable change in direction for humanity. The rebuilding of local economies offers a response to the challenges presented by peak oil, as well as a tremendous opportunity to rethink and reinvent local economies’.  However, within the contemporary condition, culture can’t be assigned anymore to a geographic location. If we can localise economy we will never be able to fully localise culture. Cultural resilience negotiates between the necessity of rebuilding local economies and keeping us globally connected.

But how can we still be connected in a resilient way? How to associate and empower resilient practices, skills, mentalities, habits, economies at a bigger scale? Maybe ‘from local to local’, through relational institutions which federate heterogeneous components, both cultural and environmental, amateur and professional, civic and educational… In such way, resilient practices could go beyond the sphere of the local and become trans-local, could operate a re-weaving of scales and issues through the construction of a trans-local mode of functioning.

Living practices, deep locals, cultural and social biodiversity

As many other projects within the Rhyzom network, R-Urban addressed also the idea of a deep local, a multilayered local made out of multiple and heterogenous micro-locals.  Such micro-locals are also expressed at the level of everyday life practices, proximity dynamics, domestic habits, neighbourhood relations. They represent specific cultures of living.

In addition to existing local cultures of living, R-Urban proposes new collective forms of these cultures through reinventing and revitalising proximity relations based on solidarities (i.e. ways of being involved and deciding collectively, sharing spaces and group facilities, rules and principles of co-habitation etc.). Urban life styles in neo-liberal societies have abandoned progressively the different forms of solidarity that were perceived as inadequate and outdated. Though, it is exactly these relations of reciprocity which constitute the fundament of social progress. In his analysis of the connections between the economic and the political (inspired by Tarde’s sociology), Lazzarato describes the civilisation of ‘progress’ as ‘a constantly renewed effort to replace the reciprocal possession by the unilateral possession’.  Or, it is exactly these relations of reciprocity and solidarity that are missing in the urban environment today.

In contrast, the dwelling and the living models proposed by R-Urban are based on solidarity relations and implicitly produce sociability and common values and affective relations. They can allow for further emergence of conditions for the production of locality through authentic cultural phenomena, which are fed by their territorial anchoring and their transversal co-operation 

The ‘locality’ is formed as such through a multiplicity of micro-social and cultural phenomena which are embedded in their territories.  Guattari underlined the role of micro-practices in what he called a heterogenesis process: ‘it is essential that micro-political and micro-social practices, new solidarities organise themselves (…) It is not only that these different levels of practicing haven’t been homogenised  (…) , but that they operate in a heterogenesis process’.  It is this kind of heterogenesis process that can produce and preserve local cultural and social biodiversity which is based on sustainable solidarity.

Transformations have to take place at micro-scale with each individual, with each subjectivity and this is what constructs a culture of resilience and at the same time a resilient culture. As Hopkins puts it: ‘Resilience is not just an outer process: it is also an inner one, of becoming more flexible, robust and skilled’ . The culture of resilience includes processes of reskilling, skills-sharing, building social networks, learning from others, learning from other experiences. These micro-social and micro-cultural practices are most of the time related to lifestyles and individual gestures, they prompt attention to details, to singularities, to the capacity of creativity and innovation that operates at the level of everyday life. R-Urban offers a platform for such practices to gain visibility and feel empowered in their singularity while being connected to others through relations of reciprocity. This is a form of cultural resilience.

Pioneering R-Urban

Currently, R-Urban strategy is tested for a first implementation in Colombes, a city of 30 000 inhabitants in the North West suburbs of Paris. The local council and a number of local organisations ( …) have formed the first R-Urban Agency. Available plots have been identified and connections have started to be established between some of them.

An urban agriculture pole has been initiated at the foot of a high-rise building on a plot negotiated for reversible use with the Poste company which owns the land. A social economy cluster and organic food market will be initiated in connection with the cultivation of plots. A Recycling Unit which will process construction materials and a co-operative housing built from these materials will start next year. Seminaries, debates and workshops disseminate knowledge and skills necessary to the process. A trans-local research centre will disseminate cultures of resilience in the region.  The future is R-Urban!


public works log

DémocraCité

Join us at 'DémocraCité' a one day symposium at��l'ENSA Paris-Malaquais�on Friday December 9th.

Participants include: Markus Bader�Raumlabor, Nicolas Bonnenfant et Pablo Georgieff�CoLoCo, Francesco Careri�Stalker, Santiago Cirugeda�Recetas Urbanas, Anne Debarre, Maarten Gielen�Rotor, Andreas Lang�Publicworks, Caroline Maniaque, Yann Moulier Boutang�Multitudes,, Ramon ParramonIdensitat, Constantin Petcou,�AAA, Meredith TenHoor.

Faire les territoires autrement:�

Participations et expérimentations collectives
Journée d'études du département Art Architecture Politique (AAP)

Vendredi 9 décembre 2011 de 9h00 à 18h30
Amphi 2 des Loges
entrée libre

Monrning

9h00 Accueil des participants :Nasrine Seraji AA dipl. RIBA, directrice de l'ENSA Paris-Malaquais�
9h30 Ouverture et présentation de la journée. Jac Fol AAP/ Enrico Chapel et Thierry Mandoul�
9h45 Caroline Maniaque, maître-assistante ENSA Paris-Malaquais « Architecture et actions,
1960s : retour d'expérience »�
10h15 Francesco Careri, Stalker, Rome. « Pidgin City. Une ville métisse pour le projet indéterminé »�
11h00 Constantin Petcou, Atelier d'Architecture autogérée, Paris. « Faire rhizome »�
11h30 Santiago Cirugeda, Recetas Urbanas, Séville. « Architecture négative »�
12h00 Ramon Parramon, Idensitat, Barcelone. « Cities, communities and artistic practices »�
12h30 Discussion

Afternoon

14h15 Meredith TenHoor, Princeton university, New-York. « Lieux empruntés, espaces inventés »
14h45 Maarten Gielen, Rotor, Bruxelles. « Préoccupations... »
15h15 Yann Moulier Boutang, Multitudes, professeur des universités, Paris « Wiki-architecture » 16h00 Markus Bader, Raumlabor, Berlin. «Total freedom is no freedom at all?»
16h30 Andreas Lang, Publicworks, Londres. « Local cultural production,and co-authorship »
17h00 Nicolas Bonnenfant, Pablo Georgieff, CoLoCo, Paris. « Actions territoriales, la pioche VS Google Earth »
17h30 Anne Debarre, maître-assistante ENSA Paris-Malaquais « Activations, acteurs, interactions »
18h00 Discussion, conclusion

Regarder autrement l'architecture et le territoire pour en saisir collectivement les potentialités, investir des objets et des espaces délaissés pour qu'ils deviennent des lieux appropriables par chacun, élaborer des projets relationnels, participatifs�: telles sont les stratégies que développent depuis plus d'une décennie des collectifs qui réunissent architectes, artistes, paysagistes, urbanistes... Pour ce faire, ils se glissent dans des interstices spatiaux, réglementaires, administratifs, économiques, ils inventent des tactiques multiples et annoncent des modalités alternatives de fabrication de l'espace architectural et urbain.

Stalker�propose des marches collectives dans la banlieue de Rome.L'Atelier d'architecture autogérée�organise un système d'éco-interstices dans l'Est parisien pour contrecarrer la crise de la ville capitaliste.Raumlabor�imagine des ateliers collectifs pour construire et tester du mobilier à Berlin, à Saint-Nazaire et dans d'autres villes.�Recetas Urbanasfait une animation vidéo avec des Playmobil pour décrire le procédé constructif d'un abri sur les toits de Séville.�CoLoCo�imagine dans les cours anglaises du 104, centre culturel à Paris, un jardin participatif planté de graines et boutures collectées dans le quartier.�Rotor�développe une base de données sur les matériaux mis au rebut par plus de 200 entreprises belges.

Autant d'actions qui font d'un projet sur l'espace, le lieu d'un acte poli­ti­que et qui engagent une pra­ti­que esthé­ti­que pro­fon­dé­ment démo­cra­ti­que. Autant d'œuvres collectives qui rejettent toutes méthodes académiques et privilégient avant tout l'expérience du terrain, l'implication dans la fabrication et l'exécution en favorisant la relation à autrui. Autant de bricolages savants qui questionnent, et enfin critiquent, l'élaboration de la ville libérale et de la société de consommation�tout en envisageant des propositions éthiques relatives à l'habitation, l'écologie.

Comment interpréter ces productions à première vue insaisissables�?� Se réfèrent-elles à l'art, à l'architecture, à l'activisme social des années 1960? D'où vient leur passion pour l'interactivité et les réseaux? De quels imaginaires politiques et esthétiques sont-ils porteurs�?

La journée d'études du département Art/Architecture/Politique-ENSA�Paris-Malaquais veut interroger ces démarches nouvelles qui invitent les citoyens à la transformation de leurs cadres de vie.

Elle constitue le deuxième volet d'un projet démarré au printemps 2011 avec l'exposition «�Urbanités inattendues�» (ENSA Toulouse/AERA) et la journée d'études tenue à Toulouse à cette occasion.

Département AAP�: Clotilde Barto, Anne Debarre, Xavier Dousson, Catherine Clarisse, Xavier Fabre, Jac Fol, Bertrand Lamarche, Thierry Mandoul, Caroline Maniaque, Caroline de Saint Pierre, Emmanuel Pinard, Yann Rocher, Jean-François Roullin

View article on website

ARCHITECTURE OF MULTIPLE AUTORS EXHIBITION OPENS 1ST DECEMBER

ARCHITECTURE OF MULTIPLE AUTHORSHIP
Opening: Thursday 1st December 2011,
Talk at 6:30pm - in Main Forum
40-44 Spring House,
Holloway Road
London N7 8JL�

A collaborative project between London Metropolitan Univeristy and public works presents a programme of events and workshops� on how architecture can become part of a progressive process of social change and exchange, rather than an end product. We will pose questions about where the architecture lies within this context and our shifting roles as architects in the development of spatial production. Exhibition open: 1 - 9 December 2011
The exhibition illustrates the process of the development and construction of three cultural in villages in the Indian state of West Bengal, with each one reflection the particular local cultural traditions and skills. The project was led by Indian NGO Banglanatak.com, and aims to develop the unique folk art and culture based creative industry in a way that benefits poor and marginalised rural and tribal communities in West Bengal. The programme of events to considers the position of architecture in socially driven projects, and how buildings become part of the process of cultural and educational production.
01 Dec 6:30pm, Lecture and exhibition opening - with a one evening International Village Shop 06 Dec 1pm-2pm, "Moving In" workshop, a workshop to frame different possibilities for the appropriation of the buildings, to host existing needs and develop possible new programmes and activities
All students welcome, see leaflet in shop for signing in 07 Dec 10am - 1pm, Seminar: Peter Carl, Maurice Mitchell, Bo Tang, Torange Khonsari, Julie Scott, Jonathan Karkut 09 Dec 1pm-2pm, "Moving In" workshop

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[NeighbourHOOD] exhibition at performance ]SPACE[

We first came across performance]SPACE[ during the 'Printers Paradise' walk. The door was open and a small sign invited us in. A quick detour into a smoke filled room with people performing across the space seemingly ignoring the audience of 20 strangers that just walked in on them. As first encounters go, this one was curious enough to get in touch and find out more about what was going on. We met Bea, Benjamin and Anna who have been generous in offering their space for one of our Wick Sessions (unfortunately it was double booked) and have recently invited us to a very local dinner as part of their international residency project [neighbourHOOD] EVENT which will conclude on Saturday the 3rd of December.

[neighbourHOOD] EVENT

Saturday 3rd December 11am - 11pm
Following a 10 day intensive research residency the [neighbourHOOD] artists will draw together an exhibition and evening of performance art and film. Artists: Tine Voeks, Maria Lucia, Benjamin Sebastian, Kimbal Quist Bumbstead, Liam Yeates and isik met knutsdotter

Exhibition: 11am - 11pm
Developed and led by the artists, the exhibition is anticipated to grow out of the research-lab, through install-action and the exhibition of research material. Constructed throughout the day, the exhibition will both lay bare artistic process and weave together loose ends to form a live archival document of Hackney Wick now. The exhibition will also include performance-for-camera photographic prints from each artist, produced site-specifically in collaboration with ]performance s p a c e [ photographer Marco Berardi.

Performances: 7 - 9 pm (TBC)
New performances made in response to the [neighbourHOOD] residency in Hackney Wick.

Film: 9pm - 'DEFAULT THE BRUTAL'
by Enrico Masi, produced by CAUCASO FACTORY (10' UK, 2011, color/B-w, 16mm/Full HD)
'Discovering a new space in east London, after the negative stigma of the 80's, Stratford will now present himself as a thrilling new urban device for people to move, work, shop and travel. The increasingly spectacular Olympic park, with Anish Kapoor's monumental red panoramic tower growing in his middle and a special toilet only for the queen. 'Default the Brutal' is like forecasting on weather conditions.' CAUCASO FACTORY have worked in collaboration with ]performance s p a c e [ and PAS throughout [neighbourbourHOOD] to document the activity unfolding. The collective's current area of research has focused on the regeneration and development of Olympic boroughs and the current socio-economic climate across Europe.

[neighbourHOOD] is a free event
Beer, gin and bagels will be served all day!!

View article on website

View article on website

[NeighbourHOOD] exhibition at performance ]SPACE[

We first came across performance]SPACE[ during the 'Printers Paradise' walk. The door was open and a small sign invited us in. A quick detour into a smoke filled room with people performing across the space seemingly ignoring the audience of 20 strangers that just walked in on them. As first encounters go, this one was curious enough to get in touch and find out more about what was going on. We met Bea, Benjamin and Anna who have been generous in offering their space for one of our Wick Sessions (unfortunately it was double booked) and have recently invited us to a very local dinner as part of their international residency project [neighbourHOOD] EVENT which will conclude on Saturday the 3rd of December.

[neighbourHOOD] EVENT

Saturday 3rd December 11am - 11pm
Following a 10 day intensive research residency the [neighbourHOOD] artists will draw together an exhibition and evening of performance art and film. Artists: Tine Voeks, Maria Lucia, Benjamin Sebastian, Kimbal Quist Bumbstead, Liam Yeates and isik met knutsdotter

Exhibition: 11am - 11pm
Developed and led by the artists, the exhibition is anticipated to grow out of the research-lab, through install-action and the exhibition of research material. Constructed throughout the day, the exhibition will both lay bare artistic process and weave together loose ends to form a live archival document of Hackney Wick now. The exhibition will also include performance-for-camera photographic prints from each artist, produced site-specifically in collaboration with ]performance s p a c e [ photographer Marco Berardi.

Performances: 7 - 9 pm (TBC)
New performances made in response to the [neighbourHOOD] residency in Hackney Wick.

Film: 9pm - 'DEFAULT THE BRUTAL'
by Enrico Masi, produced by CAUCASO FACTORY (10' UK, 2011, color/B-w, 16mm/Full HD)
'Discovering a new space in east London, after the negative stigma of the 80's, Stratford will now present himself as a thrilling new urban device for people to move, work, shop and travel. The increasingly spectacular Olympic park, with Anish Kapoor's monumental red panoramic tower growing in his middle and a special toilet only for the queen. 'Default the Brutal' is like forecasting on weather conditions.' CAUCASO FACTORY have worked in collaboration with ]performance s p a c e [ and PAS throughout [neighbourbourHOOD] to document the activity unfolding. The collective's current area of research has focused on the regeneration and development of Olympic boroughs and the current socio-economic climate across Europe.

[neighbourHOOD] is a free event
Beer, gin and bagels will be served all day!!

View article on website

View article on website

AND THERE IS DECORATION TO BE MADE

We are inviting friends and colleagues to join us for drinks, music and get-your-design-x-mas decoration laser cut
on Friday 2nd December from 19.00 at our studio on Vyner Street.

Matilde Martinetti, who currently works with us, will be playing her latest compilation "STEREO-TYPE. New frontiers of Italian Music". See more info below. Bring a design for a very special x-mas decoration and the most popular one will be laser cut that night.
You can also send it by e mail in advance. Just keep it smaller than A4. Spritz will be served. And there will be food - of course.

* The compilation explores the concept of stereotype starting with a fundamental element of Italian culture: the melodic music of the Classical Period. The composers of those early songs influenced the shaping of a home made stereotype more than important historic eras such as the Italian unification 150 years ago,� post-war cohesion and terrorism during the 1970ies.

Another compilation,� the Compilation of Crisis, can be seen here.

View article on website

Read more entries at http://www.publicworksgroup.net/

website by dorian moore @ the useful arts organisation