Cultural Agencies

"Cultural Agencies" is a project with a duration of two years that seeks to develop contemporary models of cultural collaborations and institutional practices.

cultural-agencies.blogspot.com

Description

While current planning for Istanbul's European Capital of Culture 2010 celebrations is focusing on the historic city centre, "Cultural Agencies" breaks out of this "cultural bubble" and shifts focus on narratives of Istanbulites inhabiting the largely ignored periphery. Here, traditional types of European and Turkish cultural institutions -museums, galleries, libraries, theatres or community centres- that accumulate in the city centre are absent. Hidden to the gaze of an outsider, the apparent void has been occupied by a multitude of new forms of "agency", informal, semi-formal, familial, kinship based, communal, religious, political. While lack of funding and support is undoubtedly omnipresent, the absence of a formal state infrastructure has been compensated for through the combined spirit of free agency, self-help and improvisation, or as an expression of simply surviving and coping with.

"Cultural Agencies" project attempts to forge a trustbased relationship with selected local communities, conduct field surveys with the help of architects, planners, artists, activists, students and local residents which will lead to the participatory mapping of existing forms of agency. An archive of institutional practice will be constructed which also provides access to different urban narratives. Following a spirit of partnership the granting of access by the communities will, in turn, be met by an offer: To jointly develop ideas and visions of how to consolidate specific forms of agency, to imagine and implement prototypes, as well as to plug into the existing infrastructure of one of the major, globally acting cultural institutions Garanti Galeri and Platform Garanti in Istanbul's centre. "Cultural Agencies" is not producing landmark projects of the kind produced in the city centre for 2010. Instead, a multitude of small interventions, new links and forms of mutual access is emerging, forging a stronger identification of residents with their physical and cultural environment, and inspiring their participation in much needed change.

Beyond these concrete results, the project will enrich the broader, cross-disciplinary discourse on how to intervene in an ambiguous civic sphere, which blurs the boundaries between public and private, stable and instable, physical and virtual, local and global, the site-specific and the abstract and utopian. "Cultural Agencies" will demonstrate the field of possibilities for architects, artists, curators, activists, community leaders and residents to discover this sphere as a space of yet unknown collaborative possibilities.

Curated by: Nikolaus Hirsch, Philipp Misselwitz, Oda Projesi

Coordinator: Ece Sarıyüz

With contributions by: AAA (Atelier d'Architecture Autogérée), Fevzican Abacıoglu, Ayse Nur Akdal, Kamile Batur, Yigit Battal, Hakan Bozoglu, Tim Caston, Daniel Cook, Mina Cenan Çakmak, Büsra Çiçek, Ali Danacı, Burak Delier, Zeynep Sema Demir, Burcu Demircan, Gizem Demirci, Sebile Dışkaya, Shahab Fotouhi, Giorgio Giusti, Oliver Heizenberger, Shahira Issa, Duygu Kaban, Korhan Kalaycıoglu, Cengiz Karabag, Tom Kirby, Martin Kirchner, Erhan Koç, Dicle Koylan, Kurmalı Salyangoz (Clockwork Snail), Cenk Külçe, Maria Lind, Natalie Lunt, Meriç Öner, Altınok Öz, Zeynep Öz, Seda Özel, Melisa Özelkan, Ugur Öztürk, Gürcan Özyigit, Jean-François Pérouse, Kirsten Reibold, Ala Roushan, Talha Sagıroglu, Evrim Gülcan Savas, Gregory Sholette, Burak Şuşut, Cihan Sürer, Talat Sürer, Merve Tuba Tanok, Deniz Tarı, Gözde Turhan, Tugçe Tüfenk, Volkan Uyar, Federico Del Vecchio, William Wells, Paul Wild, Murat Cemal Yalçıntan, Erdogan Yıldız, Damla Özgü Yıldız, Zeynep Zilelioğlu

Project partners: Platform Garanti / Garanti Galeri, Mimar Sinan Güzel Sanatlar Üniversitesi, Städelschule Frankfurt

Project Board: Vasıf Kortun, Pelin Dervis

"Cultural Agencies" is a non-profit initiative. The project has been made possible through the generous support of the German Alllianz Kulturstiftung and RHYZOM - a collaborative network for local cultural production and trans-local dissemination funded by the European Commission.

Cultural Agencies Events

12 june-14 july 2010--- Dükkan's long term guests: ETC


For the one act operet at 30 june 2010 in front of the dükkan; check:
http://vimeo.com/13280956 for the photo documentation:
http://www.flickr.com/photos/51960260@N07/

“Proposals” 12 July -12 August at Aydın Kebap

A long-term guest of the Gülensu-Gülsuyu shop with the project "Is another kind of architecture possible?" Burak Delier will present in Aydın Kebap the ideas he gathered during the month of May. In addition to being architectural proposals, the simple sketches in the exhibition also demonstrate the necessities and desires of the neighborhood. If this work can make even a small contribution to the neighborhood through the discussions it provokes, it means that the project has achieved its goal.

What is the use of a museum under invasion?

Gülsuyu Gülensu Dükkan hosted an event by YNKB on the 11 June 2010. YNKB, 2002 Kopenhag, is an artist collective that started in Ydre Norrebro, Kopenhagen. It consists of Thomas Ostergaard, Kirsten Dufour, "Stoffer" Michael Christensen, Anders Hvam Waago, Tine Tvergaard, Joen Vedel, Finn Thybo Andersen, Eva La Cour and Ninna Poulsen. Instead of being confined to elitist art centers the group prefers to do cultural and art events in neighborhoods where there is actual human settlement and they base their artistic production over a humanistic dimension, collective research and an intimate, generous and open relationship based on participation. From this big group, Cultural Agencies invited Kirsten and Finn to Gülsuyu. The reason for the invitation was the People's Museum project that they did in the Bir Zeit village in Palestine. YNKB did the project together with another artist group Parfyme as well as Palestinian artists and village locals. The "People's Museum" that opened on October 9, 2009 is still open to visitors. Project's mobile vitrine hosted the photos of the "People's Museum" items, some examples of the collection. After the presentation we ate the mixed vegetable meal that was prepared in the dükkan and in Aydın Kasap, then cooked at the neighbour kitchen which was the receipe from Rıza Bey.
http://www.ynkb.dk/eng/peoples%20museum-eng.shtml

A long term guest of the shop: Burak Delier

�Let's Build Together!

Is there any other possibility for architecture?

Architecture has often been used as a tool of regulation for the state and capital.

However architecture should not only be seen as a regulation tool from above.

How can we think of architecture in a different way? What are our desires and

necessities unrealized because of the lack of energy and lack of opportunity in

our daily lives? What are the examples of practices of architecture that have

risen out of the bottom (personal and/or collective), out of our own desires and

necessities?

Burak Delier a long time guest artist of the Cultural Agencies is looking

for answer to these questions since May through an observation of the

neighborhood's residents, proposals and participations. The first meeting took

place on Thursday, May 6 at 16:00 hours at the Gülsuyu Gülensu Shop.

Proposal for a handrail on the stairway between Menzil and Gazi streets

Gizem Gürbey

Proposal for a cable lift Gülsuyu-Dragos-Adalar

Murat Çılgın

Proposal to reorganize the Sculpture Square

Seyit Cankurt

Proposal to reorganize the Sculpture Square

Aydın İleri

Dükkan's long term guest: Burak Delier

�Let's Build Together!

Is there any other possibility for architecture?

Architecture has often been used as a tool of regulation for the state and capital.

However architecture should not only be seen as a regulation tool from above.

How can we think of architecture in a different way? What are our desires and

necessities unrealized because of the lack of energy and lack of opportunity in

our daily lives? What are the examples of practices of architecture that have

risen out of the bottom (personal and/or collective), out of our own desires and

necessities?

Burak Delier a long time guest artist of the Cultural Agencies is looking

for answer to these questions since May through an observation of the

neighborhood's residents, proposals and participations. The first meeting took

place on Thursday, May 6 at 16:00 hours at the Gülsuyu Gülensu Shop.

Proposal for a handrail on the stairway between Menzil and Gazi streets

Gizem Gürbey

Proposal for a cable lift Gülsuyu-Dragos-Adalar

Murat Çılgın

Proposal to reorganize the Sculpture Square

Seyit Cankurt

Proposal to reorganize the Sculpture Square

Aydın İleri

Read more entries at http://cultural-agencies-eventspace.blogspot.com/

Cultural Agencies Education

Mobile Vitrine

Gülsuyu-Gülensu is a place with a rich history. It has a history of being a community of struggle, and a place full of present possibilities, treasures, individual and collective dreams. But what would we show in order to present this history to the people outside of Gülsuyu-Gülensu? To the other communities in Istanbul that don't yet know about this rich history? To the people that see this place as a lost neighborhood, a neighborhood that is not worth telling about in the general story of the development of the city of Istanbul. But most important of all: how do we re-tell and re-enact the history to all the people living here, the residents; the old, the children, the women and men: the members of the community and the carriers of this history themselves?

Cultural Agency has developed a Mobile Vitrine as a tool to trigger the gathering of a so far missing material collection of evidence of Gülsuyu/ Gülensu's urbanisation process. The vitrine has been constructed as a plug-in frame, which can be curated by the institutions, associations and/or individuals of the neighbourhood in a rotating system. As a plug-in, the vitrine produces a series of inventorized items and photographs which eventually establishes a virtual collection of Gülsuyu-Gülensu.

The habitants of Gülsuyu-Gülensu are invited to share their memories and objects that could tell the history of the neighborhood. Collection of the diaries, letters, posters, documents, photographs and other objects of interest will help to map and understand the shared experience of urbanization.
Mobile Vitrine I

The first exhibition of the Mobile Vitrine took place between September 2-4, 2009�at the Dükkân. Further exhibitions follow in January 2010.

Mobile Vitrine II
Second exhibition of the Mobile Vitrine in Çorumlular Association between September 8-13, 2009.

Mobile Vitrine III

Gürcan Ozyigit (University of Sheffield) appropriated the Mobile Vitrine for a contour model of Gülsuyu and Gülensu. Residents were asked to use the model to generate highly personalized mappings of existing cultural infrastructure in the neighbourhoods. Two Questions were asked: 1. From where do you obtain your cultural needs? Magazines, books, DVDs etc.�The second question was asked to people hanging around Heykel square, a public space close to Dükkân.�2. From which spot did you walk over here? The results of the interviews were mapped on the model and publicly exhibited in the vitrine.�
Mobile Vitrine IV

The fourth exhibition of the Mobile Vitrine was made in Aydın Kebap House on 15th of January with objects collected from the restaurant staff. In the window there were objects such as a cup won in a football tournament, various photos and a gas lamp.��

Read more entries at http://cultural-agencies-education.blogspot.com/

Cultural Agencies Archive

Oral History Project

"Can you talk about yourself briefly? When and why did you come to Istanbul and under what conditions? When did you come to this neighborhood, and how was it? How did you made your house, under which circumstances? How you see the future of Gülensu-Gülsuyu?" (extract from Oral History interviews starting in July 2009)

When Gülsuyu-Gülensu Dükkânı was opened in 24th of July, its primary function was to be a platform, a container for the Oral History project that started a while ago before the Dükkan was opened. The Oral History project is investigating the different construction periods of Gülsuyu/Gülensu, through a series of video interviews with neighbors from different backgrounds. The focus of the Oral History Project is the period of 50'- 90'.

The project currently covers over 20 interviews. It will continue next year with new partners. The collection will be shared with the neighborhood and published in a book and DVD format. A key question will be to define "ownership and access" to this unique collection of urban narratives, as well as to prevent misuse of sometimes intimate and personal information. Discussion will be held with the community to address these questions.

Read more entries at http://cultural-agencies-archive.blogspot.com/

Cultural Agencies Communication

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Many of the existing cultural agency practices in Gülsuyu and Gülensu operate in isolation, serve only particular groups and often remain hidden to outsiders and the broader local public alike. Most cultural initiatives in the neighbourhood are for selected groups only, or closely associated with political and/or religious factions. Cultural Agencies has been carefully navigating between the various power structures and interests of the neighbourhood - seeking to maintain an "engaged neutrality" which could serve as a trigger for the emergence of a not-yet existing public sphere in which multiple engagement might be possible.

Following local custom of simple printed posters, the project has developed a communication strategy designed to strengthen the "publicness" of the Dükkân. In the second phase of the project, the poster campaign will evolve into a newsletter format that announces all activities and events of the Cultural Agencies project.

Posters


Flyers




Read more entries at http://cultural-agencies-communication.blogspot.com/

Cultural Agencies Library

[untitled entry]

In the absence of local libraries or comparable community centres, the project investigated the accessibility of publications and distribution of books. Over the last months, a basic collection of books and brochures has been collected in the Dükkân. Additionally a basic system of book shelves has been developed. Eventually Cultural Agencies investigates the possibility of an evolution from a basic collection into a functioning library. Based on the review of existing reading library practices in the neighbourhood (individual lending libraries, association book shelves, etc.) an organisational scenario and architectural proposal will be developed.

Read more entries at http://cultural-agencies-publiczone.blogspot.com/

Cultural Agencies Office

[untitled entry]

Cultural Agencies office established itself in the Istanbul neighbourhood of Gülsuyu / Gülensu. This choice was made after extensive site visits, interviews with local actors and background research which took place between October 2008 and March 2009. Compared to other neighbourhoods, Gülsuyu and Gülensu stood out as both, most challenging and welcoming to the Cultural Agencies initiative.

The two neighbourhoods are located to the north of the E-5 highway within Istanbul's eastern Maltepe district. The neighbourhoods were established informally when immigrant groups from eastern Anatolia (Erzincan, Sivas, Tunceli) arrived in the early 1960s. Soon gecekondus in the area proliferated, forming a dense tapestry, which covers the entire hillside and gradually acquired urban complexity and distinct local identity. Since the 1970s, local activism and solidarity networks formed a unique social tissue, which still endures. This also includes a rich spectrum of collective practices, which provides an insight into the inventiveness, creativity and collective determination of Istanbulites to construct alternative cultural infrastructures based on improvisation and minimum means. Current planning intentions of the municipality seek to exploit the prime real estate value of the neighbourhood, located within an earthquake safe zone and offering unique panoramic views across the Marmara Sea and Princes' Islands. If plans are realized, both neighbourhoods will be replaced with new upmarket housing and most of its inhabitants will be displaced.

The March 2009 municipal elections have led to a change of local government and the promise to replace the radical vision of urban transformation with one more socially inclusive and organic. Numerous, partially heated and controversial discussions are ongoing in the neighbourhood as local residents are in the process of re-defining their relationship to the local municipality: from radical opposition and protest to the attempt to lead a community-driven, alternative planning process. As a first step, the neighbourhood is now in the process to elect local street representatives to form a broad, democratically endorsed representative body that can lead the planning process.

Plug-in interventions

Workshop "Inventory"

The first on-site intervention in Gülsuyu and Gülensu was an international workshop realized between 2nd and 9th of May 2009 with students and recent graduates of Staedelschule - Hochschule für Bildende Künste (Frankfurt am Main), Mimar Sinan Fine Arts University (Istanbul) and local actors from the neighborhood.

Over the course of 8 days, mixed groups investigated existing forms of "agency" in the neighbourhood. Six groups were formed, each focusing on one generic programme of a formal "cultural institution". In the neighbourhood, these six themes became investigative frames to detect visible and invisible, formal and informal, stable and instable models of "agency":

(1) Events (2) Collection (3) Archive (4) Communication (5) Library (6) Office

From July, the project team developed six concepts for "plug-in" interventions in the existing cultural infrastructure neighbourhood.

Each of the "agency tools" corresponded to the six generic themes - (1) Events, (2) Collection, (3) Archive, (4) Communication, (5) Library, (6) Office - and designed to insert doubt, trigger debates and stimulate a more strategic discussion on the future role and form of cultural production in Gülsuyu and Gülensu. Partnerships with selected cultural institutions and agency practices in the neighbourhood were formed during the research, design and implementation process.

Gülsuyu - Gülensu Dükkânı

Following the Workshop Inventory�a temporary project base was set up: A former shop was hired. After initial renovation works were completed in July - all works were carried out by the project team in collaboration with students from Frankfurt and Istanbul, craftsmen from the neighbourhood as well as local volunteers - the "Gülsuyu - Gülensu Dükkânı" (English: "Store") has already become a key tool and platform for interaction with the community, research and the testing of pilot interventions.

Located in the centre of the neighbourhood, the Dükkân became the most essential tool to provide visibility of the project in the neighbourhood, and build trust with the local community. The space was officially opened on the 24th July 2009 with an invited group of puppeteers ("Kurmalı Salyangoz / Clockwork Snail").

Gülsuyu-Gülensu Dükkânı,�will function as a space for collecting the memory of Gülsuyu-Gülensu through meeting with the local people either passing by or arranging meetings. This archive will create one possible narrative of the neighborhood with the photos and documentation from periods of 50'-80'-90', we ask from people concerning the past of the site.�

The conducting of an inclusive alternative planning process will led to broad community mobilisation which require logistical planning, the setting up of venues for meetings and discussions, etc. What could a spatial, social and organisational scenario for this process look like? Cultural Agencies investigates and critically apply the role of the Dükkân in this, both as a location and generating content.

Gülsuyu-Gülensu Dükkânı is serving as a venue for numerous, partly ad hoc organized discussions, presentations and events. The Dükkân has begun to serve as a catalyst and "landing pad" for visiting artists seeking to learn about the locality and engage with its residents. At the same time, local residents have positively responded to the opportunity to meet and debate with "outsiders".�

The short story of Ayla str. no. 90

The shop, which Mrs. Sabire and her husband Haydar Sezgin, both 70 years of age today, constructed brick by brick 40-45 years ago, was first used as a car park then a confectionary shop. When they first came from Sivas to Uskudar, then to Gulensu, they built a shanty house onto the soil from briquettes, followed by the construction of the car park. After a while, they demolished the house and started constructing the multistory building in the back. The builders, for lack of expertise, built the foundation of the shop incorrectly. Later on, when they tried to rent out the space as a bar, the tenant said; "the tables don't stand on the ground". Concerned about the issue, Mrs. Sabire hired a constructor and paved the ground with cement.

Building Process


Read more entries at http://cultural-agencies-office.blogspot.com/

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